Metralla Rosa con Carla Tofano

Rosalind Lyons

Artist


Watch Interview | Listen to Podcast
This interview was recorded on the 10th of May 2022 and released on the 15th of August 2024


Rosalind Lyons has a successful career as an illustrator of children’s stories and academic publications, but it is her devotion to her Renaissance inspired figurative paintings that has, since the 1990s, led to regular exhibitions, winning her accolades from both galleries and the general public from, not only her native United Kingdom but also, around the world. The characters and their universes, created by Rosalind with her meticulous adornment and impeccable attention to detail, are treated with a style that appears to reside halfway between past and present, innovation and tradition, the obvious and the obliquely referential and the disturbingly and culturally unprecedented.

Rosalind’s portraits offer a fascinatingly unique and perfectly personal encounter, in which the weight of history is made light of and, in which the memories of a literary and historical past are intertwined with the painted gesture, giving rise to not only a revision of traditions but also experimentation. By combining legacy and innovation, imagination and reality and classical visions and futuristic visions, Rosalyn gives the viewer of her paintings the space in which to experience an alternative truth, that is subject to neither time or an expiration date. With a style that is strongly influenced and inspired by the aesthetics of Renaissance Italy, Elizabethan and Jacobean portraiture and 16th century Northern Europe, her work also reflects the theatrical traditions of William Shakespeare. Together – and individually – it offers a window to a reality full of characters, who, despite their unique individuality, resonate deeply with their universal archetypes.

During this interview you will come to understand how a graphic artist, with extensive experience in the world of publishing, found herself being kidnapped by the anachronistic and timeless meticulousness of the fine arts. You will discover how the exquisite ambiguity present within her work allows you to travel to other times, inviting you to be seduced by the mystery of an unknown, which is, at same time, deliciously familiar. Rosalind also tells us, ahead of her solo exhibition, ‘Shadows, Counterfeits & Familiars’ – held in October 2022 at the Fosse Gallery – about her working methods during the build up to showing her work, why literature is so closely linked to her creative process, how her fascination with Elizabethan theatrical lavishness led her to be the artist-in-residence at Shakespeare’s Globe Theatre in London and how her work has come to be a bridge between the exquisitely anonymous and the inexorably public.

And now, enjoy the interview!


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Further Information:

Related Links
Rosalind Lyons: Website | Instagram | Twitter | Facebook | Etsy

References during the interview
Figurativism 00:46 | Illustration 00:59 | Renaissance Art 01:31 | Elizabethan Era 01:37 | Jacobean Era 01:39 | Shakespeare’s Plays 01:43 | William Shakespeare 02:05 | Sixth Form 03:09 | King Lear 03:25 | The Globe 03:44 | Kathryn Hunter 03:45 | Graphic Design 04:10 | Italian Renaissance 06:02 | Jan van Eyck 06:09 | Hans Memling 06:10 | Sandro Botticelli 06:26 | Andrea Mantegna 06:27 | Piero della Francesca 06:37 | Portraits of Federico da Montefeltro and Battista Sforza 06:48 | Diptych 06:53 | The Tudor Galleries 08:02 | The National Portrait Gallery 08:04 | Hans Holbein 08:14 | Tudor Art 08:18 | Oil Paint 09:30 | Acrylic paint 09:52 | Pentimento 10:50 | Radiography of paintings 11:19 | Caravaggio 12:28 | Black 13:00 | Venetian Masks 13:57 | The Birth of Venus 16:24 | Primavera 16:25 | Tapestry 16:30 | Henry VIII 16:40 | Dissolution of the Monasteries 16:46 | Fresco 17:24 | Easel 17:26 | PhD 22:39 | Androgyny 25:50 | Oberon 26:30 | Hamlet 26:32 | Gender on Shakespeare’s Stage 26:58 | Puritans 27:14 | Twelfth Night 28:02 | Artist in Residence 29:21 | William Lyons 29:34 | Auditorium 30:17 | Dress Rehearsal 30:22 | Props 30:26 | Tiring House 31:56 | Liminal 32:05 | Liminality 32:08 | Fairy Tale 35:28 | Composition 36:30 | Matthew Ball 37:53 | Charles Dickens 38:30 | Mick Herron 39:38 | John le Carré 39:53 | Art Model 41:08 | Stephen Greenblatt 42:43 | Shakespearean Negotiations: The circulation of social energy in Renaissance England 42:46 | Oscar Wilde 47:21 | Janet Arnold 50:01 | Jenny Tiramani 50:06 | Commedia dell’Arte 52:09 | Masque 52:24 | Elizabeth I 55:36 | Coat of Arms 56:38 | Puck 58:23 | A Midsummer Night’s Dream 58:33 | Oberon 58:34 | The Shakespearean Fool 01:01:58 | Grimms’ Fairy Tales 01:02:39 | The Fosse Gallery 01:03:34 | Stow-on-the Wold 01:03:35 | Abstract Expressionism 01:04:10


Above: Detail from ‘Fair is Foul, and Foul is Fair‘, 2019.


Selection of Works:


All images and videos used during the interview by kind permission of Rosalind Lyons.

Artista Visiva


Guarda l’Intervista | Ascolta il Podcast
Questa intervista è stata registrata il 10 maggio 2022 e rilasciata il 15 agosto 2024


Con alle spalle un’importante carriera come illustratrice, in particolare di racconti per l’infanzia e pubblicazioni sulla didattica, con una grande passione per la pittura figurativa e la tradizione pittorica rinascimentale, Rosalind Lyons sin dal 1990 espone periodicamente i suoi lavori ricevendo da parte del pubblico e delle gallerie ogni genere di riconoscimenti. E questo succede non solo nel Regno Unito, suo paese di nascita e di residenza,e della cui arte Rosalind è una valida rappresentante, ma anche all’estero. I mondi e i personaggi che l’artista crea, valendosi di decorazioni accurate e di un’impeccabile attenzione per i dettagli, che contestualizzano l’epoca a cui appartengono le sue figure, fanno parte di uno stile pittorico che sembra situarsi sempre a metà tra passato e presente, tra innovazione e tradizione, tra ciò che è vicino e universalmente noto e ciò che è inquietante e culturalmente originale.

I ritratti di Rosalind sono una scoperta dal fascino unico e del tutto personale, dove il peso della storia viene reso leggero, e dove i ricordi del passato storico e letterario si intrecciano con il gesto pittorico dando luogo sia alla rivisitazione della tradizione che alla sperimentazione. Unendo memoria e innovazione, immaginazione e realtà, visioni classiche e visioni avveniristiche, Rosalind offre a chi ammira i suoi quadri uno spazio di verità alternativa senza tempo o data di scadenza. Attraverso uno stile pittorico che prende ispirazione in maniera decisa dalla scuola tipica dell’Italia rinascimentale, dai ritratti del periodo di Elisabetta I e Giacomo I, e infine dallo stile dell’arte del nord Europa del secolo XVI, la sua tecnica pittorica si rispecchia altresì nella tradizione teatrale di William Shakespeare. Nell’insieme o singolarmente, le sue opere offrono la cosmovisione di una realtà densa di personaggi che, nonostante il loro carattere originale, si conformano profondamente agli archetipi universali.

Durante questa intervista scoprirete come un’esperta di grafica con una profonda competenza nel mondo delle pubblicazioni, si è vista catturare dai dettagli anacronistici e senza tempo delle belle arti. Vi sarà svelato come la raffinata ambiguità, caratteristica dei suoi quadri, vi permetterà di viaggiare verso altre epoche, invitandovi a lasciarvi sedurre dal mistero di ciò che vi è sconosciuto e allo stesso tempo deliziosamente familiare. In questa intervista Rosalind ci racconta anche della sua mostra personale, ‘Shadows, Counterfeits & Familiars’, esposta nell’ottobre del 2022 nella Galleria Fosse. Ci spiega inoltre perché la letteratura sia così strettamente vincolata al suo processo creativo, ci svela come il suo fascino per la fastosità del teatro elisabettiano l’abbia portata a risiedere da artista nel Globe Theatre di Shakespeare a Londra, e ci dice perché la sua opera rappresenti un ponte tra quello che è squisitamente anonimo e quello che è inesorabilmente pubblico.

E adesso, godetevi l’intervista!


Se desideri fare una donazione a Metralla Rosa, utilizza questo link di PayPal. La tua generosità verrà usata principalmente per la creazione di sottotitoli in inglese, spagnolo e italiano e ci aiuterà a continuare la produzione di contenuto gratuito. Grazie mille.


Ulteriori informazioni:

Link correlati
Rosalind Lyons: Website | Instagram | Twitter | Facebook | Etsy

Riferimenti durante l’intervista>
Figurativism 00:46 | Illustration 00:59 | Renaissance Art 01:31 | Elizabethan Era 01:37 | Jacobean Era 01:39 | Shakespeare’s Plays 01:43 | William Shakespeare 02:05 | Sixth Form 03:09 | King Lear 03:25 | The Globe 03:44 | Kathryn Hunter 03:45 | Graphic Design 04:10 | Italian Renaissance 06:02 | Jan van Eyck 06:09 | Hans Memling 06:10 | Sandro Botticelli 06:26 | Andrea Mantegna 06:27 | Piero della Francesca 06:37 | Portraits of Federico da Montefeltro and Battista Sforza 06:48 | Diptych 06:53 | The Tudor Galleries 08:02 | The National Portrait Gallery 08:04 | Hans Holbein 08:14 | Tudor Art 08:18 | Oil Paint 09:30 | Acrylic paint 09:52 | Pentimento 10:50 | Radiography of paintings 11:19 | Caravaggio 12:28 | Black 13:00 | Venetian Masks 13:57 | The Birth of Venus 16:24 | Primavera 16:25 | Tapestry 16:30 | Henry VIII 16:40 | Dissolution of the Monasteries 16:46 | Fresco 17:24 | Easel 17:26 | PhD 22:39 | Androgyny 25:50 | Oberon 26:30 | Hamlet 26:32 | Gender on Shakespeare’s Stage 26:58 | Puritans 27:14 | Twelfth Night 28:02 | Artist in Residence 29:21 | William Lyons 29:34 | Auditorium 30:17 | Dress Rehearsal 30:22 | Props 30:26 | Tiring House 31:56 | Liminal 32:05 | Liminality 32:08 | Fairy Tale 35:28 | Composition 36:30 | Matthew Ball 37:53 | Charles Dickens 38:30 | Mick Herron 39:38 | John le Carré 39:53 | Art Model 41:08 | Stephen Greenblatt 42:43 | Shakespearean Negotiations: The circulation of social energy in Renaissance England 42:46 | Oscar Wilde 47:21 | Janet Arnold 50:01 | Jenny Tiramani 50:06 | Commedia dell’Arte 52:09 | Masque 52:24 | Elizabeth I 55:36 | Coat of Arms 56:38 | Puck 58:23 | A Midsummer Night’s Dream 58:33 | Oberon 58:34 | The Shakespearean Fool 01:01:58 | Grimms’ Fairy Tales 01:02:39 | The Fosse Gallery 01:03:34 | Stow-on-the Wold 01:03:35 | Abstract Expressionism 01:04:10


Sopra: Dettaglio del dipinto ‘Fair is Foul, and Foul is Fair‘, 2019.


Selezione di Opere:


All images and videos used during the interview by kind permission of Rosalind Lyons.

Artista Plástico


Ve la Entrevista | Escucha el Podcast
Esta entrevista se grabó el 10 de mayo de 2022 y publicada el 15 de agosto de 2024


Con una importante trayectoria como ilustradora, especializada en cuentos infantiles y publicaciones educativas, y devota de la pintura figurativa y la tradición pictórica renacentista, Rosalyn Lyons, desde 1990 exhibe periódicamente su trabajo plástico y recibe por parte del publico general y las galerías toda clase de espaldarazos. Y lo hace tanto en el Reino Unido, país en el que nació y en el que vive, y cuyo arte tan bien representa, como en el extranjero. Los universos y los personajes que Rosalyn crea, con esmerada ornamentación e impecable atención a los detalles que dan contexto de época a sus personajes, describen un estilo pictórico que parece estar siempre a mitad de camino entre el pasado y el presente, entre la innovación y la tradición, entre lo cercano y transversalmente referencial y lo inquietante y culturalmente inédito.

Los retratos de Rosalind ofrecen un encuentro fascinantemente único e irreprochablemente personal, en el que el peso de la historia se hace liviano, y en el que las memorias del pasado histórico literario y el gesto pictórico, se entrelazan, dando lugar, tanto a la revisión de la tradicion como a la experimentación. Al combinar legado e innovación, imaginación y realidad, visiones clásicas y visiones futuristas, Rosalyn le regala al espectador de sus cuadros un espacio de veracidad alternativa, y sin tiempo o fecha de caducidad. Con un estilo pictórico fuertemente influenciado e inspirado por la estética reinante en la Italia renacentista, por los retratos isabelinos y jacobeos y por el estilo nórdico europeo del arte del siglo XVI, su pintura se espeja también en la tradición teatral de William Shakespeare. Juntas y por separado, sus obras ofrecen la cosmovisión de una realidad repleta de personajes, que a pesar de su carácter único, resuenan profundamente con arquetipos universales.

A lo largo de esta entrevista comprenderás cómo una artista gráfica con amplia experiencia en el mundo de las publicaciones, se vió secuestrada por la minuciosidad anacrónica y atemporal de las bellas artes. Descubrirás cómo la exquisita ambigüedad presente en sus cuadros, te permite viajar a otros tiempos, y te invita a dejarte seducir por el misterio de lo que te desconoces y al mismo tiempo te resulta deliciosamente familiar. En esta entrevista Rosalyn también nos cuenta sobre su exposición individual, ‘Shadows, Counterfeits & Familiars’, celebrada en octubre de 2022 en la Galería Fosse. Nos explica por qué la literatura está tan estrechamente ligada a su proceso creativo, cómo su fascinación por la fastuosidad teatral isabelina la llevó a ser la artista residente en el Shakespeare’s Globe de Londres, y por que su obra es puente entre lo exquisitamente anónimo y lo que inexorablemente público.

¡Y ahora, disfruten la entrevista!


Si deseas hacer una donación a Metralla Rosa, utiliza este enlace de PayPal. Tu generosidad nos ayudará a continuar produciendo contenido gratuito y lo recaudado se utilizará principalmente para la creación de subtítulos en inglés, español e italiano. Muchas gracias.


Más información:

Enlaces relacionados
Rosalind Lyons: Website | Instagram | Twitter | Facebook | Etsy

Menciones durante la entrevista
Figurativism 00:46 | Illustration 00:59 | Renaissance Art 01:31 | Elizabethan Era 01:37 | Jacobean Era 01:39 | Shakespeare’s Plays 01:43 | William Shakespeare 02:05 | Sixth Form 03:09 | King Lear 03:25 | The Globe 03:44 | Kathryn Hunter 03:45 | Graphic Design 04:10 | Italian Renaissance 06:02 | Jan van Eyck 06:09 | Hans Memling 06:10 | Sandro Botticelli 06:26 | Andrea Mantegna 06:27 | Piero della Francesca 06:37 | Portraits of Federico da Montefeltro and Battista Sforza 06:48 | Diptych 06:53 | The Tudor Galleries 08:02 | The National Portrait Gallery 08:04 | Hans Holbein 08:14 | Tudor Art 08:18 | Oil Paint 09:30 | Acrylic paint 09:52 | Pentimento 10:50 | Radiography of paintings 11:19 | Caravaggio 12:28 | Black 13:00 | Venetian Masks 13:57 | The Birth of Venus 16:24 | Primavera 16:25 | Tapestry 16:30 | Henry VIII 16:40 | Dissolution of the Monasteries 16:46 | Fresco 17:24 | Easel 17:26 | PhD 22:39 | Androgyny 25:50 | Oberon 26:30 | Hamlet 26:32 | Gender on Shakespeare’s Stage 26:58 | Puritans 27:14 | Twelfth Night 28:02 | Artist in Residence 29:21 | William Lyons 29:34 | Auditorium 30:17 | Dress Rehearsal 30:22 | Props 30:26 | Tiring House 31:56 | Liminal 32:05 | Liminality 32:08 | Fairy Tale 35:28 | Composition 36:30 | Matthew Ball 37:53 | Charles Dickens 38:30 | Mick Herron 39:38 | John le Carré 39:53 | Art Model 41:08 | Stephen Greenblatt 42:43 | Shakespearean Negotiations: The circulation of social energy in Renaissance England 42:46 | Oscar Wilde 47:21 | Janet Arnold 50:01 | Jenny Tiramani 50:06 | Commedia dell’Arte 52:09 | Masque 52:24 | Elizabeth I 55:36 | Coat of Arms 56:38 | Puck 58:23 | A Midsummer Night’s Dream 58:33 | Oberon 58:34 | The Shakespearean Fool 01:01:58 | Grimms’ Fairy Tales 01:02:39 | The Fosse Gallery 01:03:34 | Stow-on-the Wold 01:03:35 | Abstract Expressionism 01:04:10


Arriba: Detalle de ‘Fair is Foul, and Foul is Fair‘, 2019.


Selección de Obras:


All images and videos used during the interview by kind permission of Rosalind Lyons.


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