con Javier Weyler

Drummer | Sound Designer

 

Javier Weyler – an exceptional drummer, music producer, sound designer and social communicator – was born in Argentina and raised in Venezuela where, in 90s Caracas he began his musical career with his band Claroscuro. After considerable success on the Caracas rock scene and having graduated university in Media Studies, Javier decided to move to London to train as a sound engineer. Shortly after starting work as a studio assistant, he was presented with his biggest opportunity to date – to become the drummer of Stereophonics, one of the most consistent and respected bands on the British rock scene.

Between 2004 & 2012 Javier conquered the world’s stages with his talent and charisma, whilst touring the world with Stereophonics, a band who have supported legends like The Rolling Stones and Oasis and released 7 number one albums in the UK charts. As a drummer, Javier is metronomic, graceful, precise and powerful, however his artistic ambitions have not allowed him the luxury of merely being a run-of-the-mill musician. His artistic interests have led to him explore the road less travelled, allowing him to constantly reinvent himself creatively and musically, from a multitude of perspectives. Whether as a composer, in charge of a mixing desk, in front of a computer or armed with a set of drumsticks, Javier always manages to move like a fish in water, constantly standing out from the crowd and provoking admiration.

Without coming up for air, he also composed and recorded the album ‘Lágrima’ under the pseudonym of Capitan Melao, while still on tour with Stereophonics. Released in 2007, it was his first solo work and consisted of tracks that were personally poetic and lyrically musical, allowing him to not only reconnect with his Spanish roots but to also collaborate with musicians such as Phil Manzanera, the guitarist from Roxy Music, and Natalia Lafourcade, one of the most recognisable female singers on the Mexican indie scene. Javier has not stopped evolving as a musician and creator of sounds since his arrival in London in 2001, with his Sound Design Master Classes a success around the world, including in the musical capital of Buenos Aires. He has also composed and produced the soundtracks of the films El Yaque, Pueblo de Campeones (2012) and Maradona en México (2020). On top of this, Javier currently manages, with a group of London based engineers and musicians, 5dB Media, a unique studio space, both in how it is run and in what it offers. It was created not only with the intention of bringing musicians into a space in which they can collaborate and experiment with cutting edge technology, a multitude of instruments and vintage recording equipment, but also with the idea of forming a hub that is accessible to many rather than a privilege for the few.

In this interview, Javier takes us on a vertiginous tour of his exciting career and, without holding back on controversial opinions about the music industry, he also offers us a refreshing and optimistic vision of music, life and art that we, as members of society, have a duty to believe in and to help create.

And now, enjoy the interview!


Watch Interview | Listen to Podcast
This interview was recorded on the 10th of February 2022 and released on the 1st of April 2022


Further Information:

Related Links
5dB Media: Website | YouTube | Instagram | Facebook | Twitter | LinkedIn
Javier Weyler: YouTube | Instagram | Facebook | Twitter | Soundcloud | Spotify | Apple Music | Wikipedia | IMDb | LinkedIn

Bands mentioned
Claroscuro | Stereophonics | The Beatles | Kenny Rogers | The Rolling Stones | Soda Stereo | Fito Páez | Charly García | Luis Alberto Spinetta | Illya Kuryaki and the Valderramas | Café Tacvba | Molotov | Enanitos Verdes | Pretenders | The Black Crowes | Madonna | Capitan Melao | Natalia Lafourcade | Phil Manzanera | Prince | The Clash | The Who | Mrs Mills | The Cure | U2 | La Muy Bestia Pop (Edward Marshall) | Echo & the Bunnymen | Almendra | Pescado Rabioso | The Stone Roses | London Grammar | Parcels | Wolf Alice | Los Bitchos | Jacob Collier | Tomorrow’s Warriors | Jazz Warriors

References during the interview
Music Producer 00:50 | Sound Engineer 00:51 | Media Studies 00:53 | Claroscuro 01:04 | Stereophonics 01:20 | The Beatles 04:01 | Country Music 04:04 | Kenny Rogers 04:05 | The Rolling Stones 04:14 | Rock Argentino 04:18 | Soda Stereo 04:51 | Fito Páez 04:55 | Charly García 04:57 | Luis Alberto Spinetta 05:04 | Illya Kuryaki and the Valderramas 05:06 | Rock Español 05:10 | Café Tacvba 05:19 | Molotov 05:20 | Enanitos Verdes 06:14 | Pretenders 08:49 | Voice Over 09:24 | Silk Screen 10:48 | Cassette Tape 10:56 | Mixing (Audio) 12:04 | You Gotta Go There to Come Back (Stereophonics’ fourth album) 12:05 | Tambourine (Pandereta) 12:12 | Stuart Cable 13:05 | Steve Gorman 13:12 | The Black Crowes 13:15 | Language. Sex. Violence. Other? (Stereophonics’ fifth album) 15:31 | Jamming 16:50 | Long Way Down with Ewan McGregor & Charley Boorman 20:49 | Groove 25:10 | Madonna 31:20 | Capitan Melao 33:33 | Natalia Lafurcade 34:07 | Phil Manzanera 34:09 | Buenas Taldes! 37:52 | Pampatar 37:56 | Isla de Margarita 38:09 | El Yaque, Pueblo de Campeones (soundtrack) 38:00 | Javier Chuecos 38:20 | Horacio Collao 40:32 | Sonoclips 40:36 | 5dB Media 43:47 | Netflix 49:14 | Maradona in Mexico 49:17 | Sign o’ the Times 54:45 | Prince 54:47 | ‘Lunch With…’ sessions 54:59 | Notting Hill Carnival 59:26 | The Clash 59:31 | The Who 59:32 | Steinway & Sons 01:06:41 | Abbey Road Studios 01:06:46 | Mrs Mills Piano 01:06:48 | Sound Design 01:13:33 | The Cure 01:17:09 | U2 01:17:11 | Mixtape 01:17:15 | Melody Maker 01:17:31 | Spin 01:17:32 | Edward Marshall – La Muy Bestia Pop 01:17:37 | Echo & the Bunnymen 01:18:07 | Almendra 01:18:42 | Pescado Rabioso 01:18:44 | EMI 01:19:24 | The Stone Roses 01:19:27 | Sony Music 01:19:40 | Ivette Ciavaldini 01:19:45 | London Grammar 01:20:37 | Parcels 01:20:48 | Wolf Alice 01:20:53 | Los Bitchos 01:21:20 | Cumbia 01:21:25 | Jacob Collier 01:21:44 | Tomorrow’s Warriors 01:22:11 | Jazz Warriors 01:22:18 | Latin Grammy Awards 01:23:27 | Natalia Lafourcade: Oscars 2018 | iTunes 01:24:01 | A&R 01:29:01


Albums & Soundtracks:


5dB Media:


‘Lunch with…’ & ‘Canteen Set’


All images and videos by kind permission of Javier Weyler.


Interview Credits:

Production by Carla Tofano & Toby Deveson | Subtitles & translations by Valentina Sarno & Alessandra Greco | Onset artwork: Photography by Toby Deveson & drawing of Carla by Alexandra Veres | Title music written and performed by Maya Petrovna


If you would like to make a donation to Metralla Rosa, please use this PayPal link. Your generosity will help us to continue producing free content and will primarily be used for the creation of English, Spanish & Italian subtitles. Thank you so much.

Batterista | Designer del Suono

 

Batterista eccezionale, musicista, produttore e designer del suono, oltre che comunicatore sociale, Javier Weyler è nato in Argentina anche se è cresciuto in Venezuela, e fu proprio nella città di Caracas che ha iniziato negli anni ‘90 la sua carriera musicale, con la band Claroscuro. Dopo aver conseguito con il suo gruppo un successo notevole sulla scena rock di Caracas, e dopo essersi laureato in comunicazioni sociali, Javier decise di trasferirsi a Londra per formarsi come ingegnere del suono. Poco dopo aver cominciato a lavorare in uno studio come assistente, gli si presentò l’occasione di maggior rilevanza internazionale fino a quel momento, cioè quella di entrare a far parte, come batterista, degli Stereophonics, una delle band più affermate e seguite della scena rock britannica.

Una volta inserito tra gli Stereophonics, band che arrivò a mantenere ben 7 album nella posizione numero uno nel magazine inglese Billboard che ha dato inizio ai tour di gruppi leggendari come i Rolling Stones e gli Oasis, per citare solo un paio di indiscutibili successi, Javier iniziò a viaggiare nel mondo tra il 2004 e il 2012, conquistando i migliori palcoscenici internazionali con il suo carisma e il suo talento. Come batterista Javier è abile, ammaliante, fantastico e potente, tuttavia le sue ambizioni artistiche non gli hanno permesso di prendersi il lusso di dormire sugli allori, piuttosto che essere uno strumentista fuori dal mucchio. La sua ricerca artistica lo ha portato ad esplorare percorsi un po’ meno accessibili, che gli hanno dato la possibilità di reinventarsi da molteplici angolazioni, prospettive e sfaccettature della creazione musicale. Come compositore, al comando dei pulsanti di una consolle, di fronte a un computer o armato di un paio di bacchette, Javier riesce a muoversi sempre come un pesce nell’acqua, distinguendosi e suscitando ammirazione.

Instancabile, dopo un tour con gli Stereophonics, compose e incise ‘Lágrima’, sotto lo pseudonimo di Capitan Melao. Il suo primo album come solista vide la luce nel 2007, e questa raccolta di canzoni molto personali, dalla musicalità poetica e lirica, gli ha permesso di ritrovare lo spagnolo e di collaborare con creativi della musica della statura di Phil Manzanera, il chitarrista dei Roxy Music, e di Natalia Lafourcade, ancora la voce femminile più accreditata sulla scena indie messicana. Dal suo arrivo a Londra nel 2001, Javier non ha smesso di crescere sia come musicista, sia come creatore di suoni e infatti i suoi corsi di perfezionamento di design del suono sono stati un successo nella musicalissima capitale che è Buenos Aires. Responsabile della colonna sonora del film El Yaque, Pueblo de Campeones (2012), ha anche diretto quella di Maradona en México, la serie prodotta per Netflix che vedrà la luce nel marzo 2020. Attualmente gestisce, insieme a un gruppo di ingegneri e musicisti londinesi, 5dB Media, uno spazio unico per il suo stile e per la sua offerta, creato con l’intenzione di realizzare opportunità comunitarie per la connessione e l’incontro amichevole tra musicisti, in cui inoltre sperimentare usando tecnologie all’avanguardia come anche strumenti e mezzi di registrazione vintage; si tratta di una realtà accessibile a molti, e non solo un privilegio per pochi.

Javier, in questa intervista, ci offre una rapidissima escursione attraverso la sua eccitante carriera, e, senza risparmiare su alcune considerazioni polemiche intorno all’industria musicale, ci fornisce anche una visione confortante e ottimista della musica, della vita e dell’arte che, in quanto società, abbiamo il dovere di ideare e realizzare.

E adesso, godetevi l’intervista!


Guarda l’Intervista | Ascolta il Podcast
Questa intervista è stata registrata il 10 febbraio 2022 e rilasciata il 1 aprile 2022


Ulteriori informazioni:

Link correlati
5dB Media: Website | YouTube | Instagram | Facebook | Twitter | LinkedIn
Javier Weyler: YouTube | Instagram | Facebook | Twitter | Soundcloud | Spotify | Apple Music | Wikipedia | IMDb | LinkedIn

Bande menzionate
Claroscuro | Stereophonics | The Beatles | Kenny Rogers | The Rolling Stones | Soda Stereo | Fito Páez | Charly García | Luis Alberto Spinetta | Illya Kuryaki and the Valderramas | Café Tacvba | Molotov | Enanitos Verdes | Pretenders | The Black Crowes | Madonna | Capitan Melao | Natalia Lafourcade | Phil Manzanera | Prince | The Clash | The Who | Mrs Mills | The Cure | U2 | La Muy Bestia Pop (Edward Marshall) | Echo & the Bunnymen | Almendra | Pescado Rabioso | The Stone Roses | London Grammar | Parcels | Wolf Alice | Los Bitchos | Jacob Collier | Tomorrow’s Warriors | Jazz Warriors

Riferimenti durante l’intervista
Music Producer 00:50 | Sound Engineer 00:51 | Media Studies 00:53 | Claroscuro 01:04 | Stereophonics 01:20 | The Beatles 04:01 | Country Music 04:04 | Kenny Rogers 04:05 | The Rolling Stones 04:14 | Rock Argentino 04:18 | Soda Stereo 04:51 | Fito Páez 04:55 | Charly García 04:57 | Luis Alberto Spinetta 05:04 | Illya Kuryaki and the Valderramas 05:06 | Rock Español 05:10 | Café Tacvba 05:19 | Molotov 05:20 | Enanitos Verdes 06:14 | Pretenders 08:49 | Voice Over 09:24 | Silk Screen 10:48 | Cassette Tape 10:56 | Mixing (Audio) 12:04 | You Gotta Go There to Come Back (Stereophonics’ fourth album) 12:05 | Tambourine (Pandereta) 12:12 | Stuart Cable 13:05 | Steve Gorman 13:12 | The Black Crowes 13:15 | Language. Sex. Violence. Other? (Stereophonics’ fifth album) 15:31 | Jamming 16:50 | Long Way Down with Ewan McGregor & Charley Boorman 20:49 | Groove 25:10 | Madonna 31:20 | Capitan Melao 33:33 | Natalia Lafurcade 34:07 | Phil Manzanera 34:09 | Buenas Taldes! 37:52 | Pampatar 37:56 | Isla de Margarita 38:09 | El Yaque, Pueblo de Campeones (soundtrack) 38:00 | Javier Chuecos 38:20 | Horacio Collao 40:32 | Sonoclips 40:36 | 5dB Media 43:47 | Netflix 49:14 | Maradona in Mexico 49:17 | Sign o’ the Times 54:45 | Prince 54:47 | ‘Lunch With…’ sessions 54:59 | Notting Hill Carnival 59:26 | The Clash 59:31 | The Who 59:32 | Steinway & Sons 01:06:41 | Abbey Road Studios 01:06:46 | Mrs Mills Piano 01:06:48 | Sound Design 01:13:33 | The Cure 01:17:09 | U2 01:17:11 | Mixtape 01:17:15 | Melody Maker 01:17:31 | Spin 01:17:32 | Edward Marshall – La Muy Bestia Pop 01:17:37 | Echo & the Bunnymen 01:18:07 | Almendra 01:18:42 | Pescado Rabioso 01:18:44 | EMI 01:19:24 | The Stone Roses 01:19:27 | Sony Music 01:19:40 | Ivette Ciavaldini 01:19:45 | London Grammar 01:20:37 | Parcels 01:20:48 | Wolf Alice 01:20:53 | Los Bitchos 01:21:20 | Cumbia 01:21:25 | Jacob Collier 01:21:44 | Tomorrow’s Warriors 01:22:11 | Jazz Warriors 01:22:18 | Latin Grammy Awards 01:23:27 | Natalia Lafourcade: Oscars 2018 | iTunes 01:24:01 | A&R 01:29:01


Album & Colonne Sonore:


5dB Media:


‘Lunch with…’ & ‘Canteen Set’


All images and videos by kind permission of Javier Weyler.


Crediti dell’intervista:

Produzione di Carla Tofano e Toby Deveson | Sottotitoli e traduzioni da Valentina Sarno & Alessandra Greco | Arte sul set: Fotografia di Toby Deveson e disegno di Carla di Alexandra Veres | Musica scritto ed eseguito da: Maya Petrovna


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www.paypal.me/metrallarosa

Baterista | Diseñador de Sonido

 

Baterista de excepción, músico, productor y diseñador de sonidos y comunicador social, Javier Weyler nació en Argentina, sin embargo creció en Venezuela, y fue en la ciudad de Caracas donde comenzó su carrera musical en los 90 con su banda Claroscuro. Después de alcanzar un éxito considerable en la escena rock caraqueña con su agrupación y de graduarse como comunicador social, Javier decidió mudarse a Londres para formarse como ingeniero de sonido. Poco después de entrar a trabajar a un estudio como asistente, se le presentó la oportunidad de mayor relevancia internacional hasta ese momento, la de pasar a formar parte, como baterista, de Stereophonics, una de las agrupaciones más sólidas y respetadas de la escena rock británica.

Junto a Stereophonics, banda que llegó a tener 7 álbumes en la posición numero uno en los billboards en Inglaterra y que le ha abierto giras a agrupaciones legendarias como los Rolling Stones y Oasis, por citar solo un par de inobjetables aciertos, Javier viajó el mundo entre los años 2004 y 2012, y conquistó los mejores escenarios internacionales con su carisma y talento. Como baterista Javier es certero, agraciado, preciso y poderoso, sin embargo, sus ambiciones artísticas no le han permitido la indulgencia de gozarse únicamente las mieles que ser un instrumentista fuera del montón. Sus búsquedas artísticas lo han hecho explorar caminos ligeramente menos asfaltados, que le han permitido reinventarse desde múltiples ángulos, perspectivas y facetas de la creación musical. Como compositor, al mando de los botones de una cónsola, frente a una computadora o armado de un par de baquetas, Javier logra moverse siempre como pez en el agua, sobresalir y despertar admiración.

Incansable, estando de gira junto a Stereophonics, compuso y grabó ‘Lágrima’ bajo el pseudónimo de Capitan Melao. Este, su primer album en solitario vió luz en 2007, y fue un compendio de canciones de musicalidad poéticas y líricas muy personales, que le permitió reencontrarse con el español y colaborar con creadores musicales de la talla de Phil Manzanera, el guitarrista de Roxy Music, y Natalia Lafourcade, aùn la voz femenina mas solvente de la escena indie mexicana. Javier no ha parado de crecer como músico y como creador de sonidos desde su llegada a Londres en 2001, de hecho sus clases magistrales de diseño de sonido han sido un éxito en la musicalísima capital de Buenos Aires. Responsable de la banda sonora del film El Yaque, Pueblo de Campeones (2012), también dirigió la banda sonora de Maradona en México, la serie producida por Netflix que viera la luz en marzo de 2020. En la actualidad, gerencia junto a un grupo de ingenieros y músicos de Londres, 5dB Media, un espacio único en su estilo y oferta, creado con la intensión de generar oportunidades comunitarias para la conexión y el encuentro amigable entre músicos, y en el que experimentar con tecnología de punta y a su vez con instrumentos y equipos de grabación vintage, es una realidad accesible a muchos, y no solo un privilegio de pocos.

Javier en esta entrevista nos facilita un vertiginoso recorrido a lo largo de su excitante carrera y sin escatimar en opiniones polémicas acerca de la industria musical, nos ofrece también una refrescante y optimista visión de la música, la vida y el arte que como sociedad estamos en el deber de creer y crear.

¡Y ahora, disfruten la entrevista!


Ve la Entrevista | Escucha el Podcast
Esta entrevista se grabó el 10 de febrero de 2022 y publicada el 1 de abril de 2022


Más información:

Enlaces relacionados
5dB: Website | YouTube | Instagram | Facebook | Twitter | LinkedIn
Javier Weyler: YouTube | Instagram | Facebook | Twitter | Soundcloud | Spotify | Apple Music | Wikipedia | IMDb | LinkedIn

Bandas Mencionadas
Claroscuro | Stereophonics | The Beatles | Kenny Rogers | The Rolling Stones | Soda Stereo | Fito Páez | Charly García | Luis Alberto Spinetta | Illya Kuryaki and the Valderramas | Café Tacvba | Molotov | Enanitos Verdes | Pretenders | The Black Crowes | Madonna | Capitan Melao | Natalia Lafourcade | Phil Manzanera | Prince | The Clash | The Who | Mrs Mills | The Cure | U2 | La Muy Bestia Pop (Edward Marshall) | Echo & the Bunnymen | Almendra | Pescado Rabioso | The Stone Roses | London Grammar | Parcels | Wolf Alice | Los Bitchos | Jacob Collier | Tomorrow’s Warriors | Jazz Warriors

Menciones durante la entrevista
Music Producer 00:50 | Sound Engineer 00:51 | Media Studies 00:53 | Claroscuro 01:04 | Stereophonics 01:20 | The Beatles 04:01 | Country Music 04:04 | Kenny Rogers 04:05 | The Rolling Stones 04:14 | Rock Argentino 04:18 | Soda Stereo 04:51 | Fito Páez 04:55 | Charly García 04:57 | Luis Alberto Spinetta 05:04 | Illya Kuryaki and the Valderramas 05:06 | Rock Español 05:10 | Café Tacvba 05:19 | Molotov 05:20 | Enanitos Verdes 06:14 | Pretenders 08:49 | Voice Over 09:24 | Silk Screen 10:48 | Cassette Tape 10:56 | Mixing (Audio) 12:04 | You Gotta Go There to Come Back (Stereophonics’ fourth album) 12:05 | Tambourine (Pandereta) 12:12 | Stuart Cable 13:05 | Steve Gorman 13:12 | The Black Crowes 13:15 | Language. Sex. Violence. Other? (Stereophonics’ fifth album) 15:31 | Jamming 16:50 | Long Way Down with Ewan McGregor & Charley Boorman 20:49 | Groove 25:10 | Madonna 31:20 | Capitan Melao 33:33 | Natalia Lafurcade 34:07 | Phil Manzanera 34:09 | Buenas Taldes! 37:52 | Pampatar 37:56 | Isla de Margarita 38:09 | El Yaque, Pueblo de Campeones (soundtrack) 38:00 | Javier Chuecos 38:20 | Horacio Collao 40:32 | Sonoclips 40:36 | 5dB Media 43:47 | Netflix 49:14 | Maradona in Mexico 49:17 | Sign o’ the Times 54:45 | Prince 54:47 | ‘Lunch With…’ sessions 54:59 | Notting Hill Carnival 59:26 | The Clash 59:31 | The Who 59:32 | Steinway & Sons 01:06:41 | Abbey Road Studios 01:06:46 | Mrs Mills Piano 01:06:48 | Sound Design 01:13:33 | The Cure 01:17:09 | U2 01:17:11 | Mixtape 01:17:15 | Melody Maker 01:17:31 | Spin 01:17:32 | Edward Marshall – La Muy Bestia Pop 01:17:37 | Echo & the Bunnymen 01:18:07 | Almendra 01:18:42 | Pescado Rabioso 01:18:44 | EMI 01:19:24 | The Stone Roses 01:19:27 | Sony Music 01:19:40 | Ivette Ciavaldini 01:19:45 | London Grammar 01:20:37 | Parcels 01:20:48 | Wolf Alice 01:20:53 | Los Bitchos 01:21:20 | Cumbia 01:21:25 | Jacob Collier 01:21:44 | Tomorrow’s Warriors 01:22:11 | Jazz Warriors 01:22:18 | Latin Grammy Awards 01:23:27 | Natalia Lafourcade: Oscars 2018 | iTunes 01:24:01 | A&R 01:29:01


Álbumes y Bandas Sonoras:


5dB Media:


‘Lunch with…’ & ‘Canteen Set’


All images and videos by kind permission of Javier Weyler.


Créditos de la entrevista:

Producción por Carla Tofano & Toby Deveson | Subtítulos y traducciones por Valentina Sarno y Alessandra Greco | Arte en el set: Fotografía por Toby Deveson y dibujo de Carla por Alexandra Veres | Música por: Maya Petrovna


Si deseas hacer una donación a Metralla Rosa, utiliza este enlace de PayPal. Tu generosidad nos ayudará a continuar produciendo contenido gratuito y lo recaudado se utilizará principalmente para la creación de subtítulos en inglés, español e italiano. Muchas gracias.

www.paypal.me/metrallarosa


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In this episode, Carla Tofano chats to Nick Cuthell, a figurative artist More

con Giuseppe Claudio Insalaco

Ep 07

1st January 2020

In questo episodio di Metralla Rosa, Carla Tofano ha il piacere di More

con Silvia Demetilla

Ep 06

1st January 2020

Emprendedora, empresaria, soñadora y visionaria, Silvia Demetilla es una mujer que transmite More

con Gledys Ibarra

Ep 05

15th December 2019

Gledys Ibarra no es una actriz: Gledys es la encarnación de la More

con Gabriel Moreno

Ep 04

1st December 2019

Músico, cantautor, poeta, animal de la vida bohemia y emprendedor de la More

with Oliver Gingrich

Ep 03

15th November 2019

With a keen interest in the emerging and almost omnipresent communion that More

con Rosso Emerald Crimson

Ep 02

15th November 2019

Avremmo potuto fare questa intervista in inglese, dopo tutto Rosso vive a More

con Daniela Galán L

Ep 01 (pilot)

15th November 2019

Daniela Galán ha desarrollado en Londres una carrera llena de apuestas relevantes. More

Tarot Reading With Itziar

Trailer

19th September 2019

Nos aproximamos al estreno de Metralla Rosa (en noviembre de 2019) y More

Coming Soon

29th August 2019

Coming soon – The reinvention of my first ever column, Metralla Rosa. When More